This piece was originally composed for sixteenth tone piano (a piano with 97 keys, which span only one octave). This recording, however, uses a synth guitar sound of the csound software synthesizer. It follows the paradigm of "minimal music" with a short basic musical phrase that is constantly iterated with gradual transformations. The concrete transformations that appear are mainly "morphing" transitions between chords, made possible by the extremely slight pitch variations that 96-tone equal temperament offers.