The Lower Third
A wide array of sounds combining dark electro ,ethereal, alternative/goth rock.
A dark ,moody gloom synthing sound to start the CD off with a tone which carries through ,changing ever so slightly yet almost unnoticed with a haunting yet calming nature.
SoundClick artist The Lower Third presents "Back From Black", an outstanding release in the Beats genre. It provides textures that deepen the overall emotional resonance. The beat is carefully crafted, the leading melody floats effortlessly around the bass rhythm. Find more from The Lower Third on SoundClick, a platform built for independent music discovery.
An Indietronic track by The Lower Third.
"Streetsense" is an Indietronic track by The Lower Third on SoundClick. The track showcases The Lower Third's instinct for crafting memorable music. The track creates a listening experience that feels gothic, new wave revival and noise rock. It has reached the top 10 on the SoundClick Indietronic chart, peaking at #3. "Streetsense" is part of the Lower Third catalog on SoundClick, where independent artists connect with a global audience.
Looking for a gothic, post-rock and dream pop track?
"Withered Lace" by The Lower Third is a Trance production available on SoundClick. The song establishes its own world and invites the listener to settle in. The track creates a listening experience that feels gothic, post-rock and dream pop. It has reached the top 10 on the SoundClick Trance chart, peaking at #7. SoundClick gives artists like The Lower Third a platform to share original Trance music with listeners around the world.
A difficult song to categorize ,it has combining elements of jazz ambience with an alternative nature consistent throughout the ever changing sounds which flow through and entwine the genres together..the end result is far greater than the sum of its
Independent artist The Lower Third drops "Forward and So", a Beats with Hooks track on SoundClick. There is an authenticity to the performance that draws the listener in. The beat is carefully crafted, the leading melody floats effortlessly around the bass rhythm. "Forward and So" has peaked at number 3 on the SoundClick Beats with Hooks chart. If Shoegaze, Electronic and Metal is your sound, "Forward and So" is a strong addition to your playlist.
A cold, downward spiral begins..moving into a slow tempo of multiple instruments..building up to a jazzy, heightened aural stimulation of wall to wall sounds vibrating in a gale force..
"Irratic Perplexus" by The Lower Third is an Indietronic production available on SoundClick. It is the kind of track that finds the right moment to make itself heard. A solid entry in the indietronic space, crafted with care and intention. It has reached the top 10 on the SoundClick Indietronic chart, peaking at #1. SoundClick gives artists like The Lower Third a platform to share original Indietronic music with listeners around the world.
The Lower Third is James Crane, a visual artist who has been composing music with assorted instruments and music software on the computer since early 2003....in 2004, he developed and completed material for his first CD. This was a hurried project so more completed material was added and songs reworked for the second release in 2005. Coming from various reviewers, the album has been considered warm and organic, a blend of retro and modern, from 70's-esque ambient analog synth pieces to rhythmic new wave/electro dirges with comparisons to Bowie's "Crystal Japan" early Pink Floyd and Jean Micheal Jarre. Comprised of many genres of music, most notably dark ambient - ethereal and alternative/gothic rock, the majority of the sound is instrumentally energetic & dreamy, with "take you away to another time and place" resonances, creating a spiritual "trip" full of flights of fancy for the listener. In addition to the ethereal instrumental sound are songs which are rock oriented with shaded toned lyrics examining the fundamentally murky nature of the human condition. The work is ever evolving, moving in many directions with priority given to dark emotional soundscapes which might be the core element for the forthcoming CD.
I've played guitar in my teens and twenties, been working with music software since 2003..near the end of 2004 after becoming more eager about composition, I became much more interested in getting the sound heard which resulted in my second CD release of the self titled "The Lower Third". A life-altering injury occurred shortly after, resulting in everything coming to a grinding halt. A half dozen or so, songs were developed during the next couple years with hope's of more on the way. The desire remains...
Since I compose all my music with computer, with the exception of additional guitar and keyboards, no live shows are produced and to be honest, performing the same songs repeatedly would become stale quite quickly.. The creative process, the path to the completed work has been much more attractive whether it's with music, highly detailed surrealistic drawing, painting with various mediums, writing or whatever else that catches my attention for a few years before moving on to something else..
Money or fame is not what I strive for, rather I challenge myself to strike a level where I have surpassed my goals, never giving myself a time limit but allowing myself the freedom to achieve my goal.. The concept of time has no meaning except when I have business to attend to with the people who reside inside the box..
My influences are widely varied from the sounds of the city at night, the many voices of nature, surrealistic exaggeration and soundtracks of thriller-horror movies. As for other musicians, the jazzy improvisational sounds combined with the complexity of Frank Zappa's compositions, the structured chaos of Captain Beefheart, Peter Gabriel. the new age artists such as Kitaro and the Windam Hill musicians, particularily the "guitarist from another planet", Michael Hedges, electronics of Ultravox, Depeche Mode, Brian Eno, the darker tones of Midnight Syndicate, Dead Can Dance, Aphex Twin, The Cure, Tool, A Perfect Circle, guitarists such as Randy Rhoads, Steve Vai. the genius of Pagannini, to name a few.
An MTV Music Generator computer software disc, Sony's "Acid" music program is used on the last song, a Gibson Epiphone SG, an Edirol PC-50 keyboard as well as sound- bytes taken from nature, my own voice, friends voices and odds and ends which produce interesting sounds. All is then cleaned up with Sony's Sound Forge Audio Studio.
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