Ezhdee
Multi genre sound producer. 10 years of experience. Need custom beat or arrangement? Contact me: ezhdeemusic@gmail.com Instagram: ezhdee.mp3
Bouncy RnB beat with acoustic guitar
SoundClick artist Ezhdee offers "Tokyo girl (R&B beat)", a R&B Beats track available to license. The tempo sits at 78 BPM, contributing to its potent character. This authentic song used zero artificial intelligence in its creation. No vocals are used in this beat, giving you unlimited production options. The E min tonality gives the song a brooding emotional undercurrent. The sound is mass-market appeal, appealing to a wide range of r&b beats fans. "Tokyo girl (R&B beat)" brings the energy of Acoustic Guitar to your project — license this type beat on SoundClick for $25.00.
Dark underground beat with guitar
"Jump Over (Underground beat)" is a licensable Rap Beats track by Ezhdee, available on SoundClick. The tempo sits at 151 BPM, contributing to its mellow character. This authentic song used zero artificial intelligence in its creation. The B min tonality gives the song a brooding emotional undercurrent. The track has a gentle pulse quality that makes it easy to connect with. If you need a type beat with the feel of Acoustic Guitar and Free Beat, "Jump Over (Underground beat)" is available to license on SoundClick for $25.00.
Soulful R&B type beat with rhodes and guitars
"Nightglide (R&B beat)" is a R&B Beats track by Ezhdee on SoundClick. Running at 126 BPM, the song features strings and guitar and brings a dynamic feel throughout. This track is 100% human-made, with no AI involved or any samples used. No vocals are used in this instrumental beat. The musical key of A min adds an emotional depth that naturally fits the overall feel. With its introspective tone and a soft bounce rhythm, the track covers a lot of emotional ground. The track is available for licensing at $25.00 on SoundClick — a resource for producers, creators, and content makers looking for quality R&B Beats music.
Dark underground rap beat with guitars
"Cold whisper (Underground beat)" is a Rap Beats track by Ezhdee on SoundClick. Running at 78 BPM, this is a carefully crafted Rap Beats production. This is an entirely human-produced track, no AI. It is a vocal-free instrumental beat, allowing for complete freedom in post-production. A melancholic note is given by the use of the D min musical key. The sound is for the true fans, appealing to a wide range of rap beats fans. "Cold whisper (Underground beat)" can be licensed directly on SoundClick for $25.00, making it accessible for sync, content, and creative projects.
Uk Drill type beat with bells and flute
"Good Game (Drill beat)" is a Rap Beats track by Ezhdee on SoundClick. Produced at 145 BPM, this Rap Beats track is available for licensing on SoundClick. No vocals are used in this instrumental beat. The choice of D min lends the composition a slightly moody and reflective character. With a tone that is uk, energetic and dark beat, this track connects on an emotional level. Producers and creators can license "Good Game (Drill beat)" directly through Ezhdee's SoundClick page for $25.00.
- freestyling over a beat
- licensing music for use in TV or for a movie
- remixing or use audio samples
You can click on each feature on the left side of the comparison chart above to learn more about each one.
To get a tag-free audio please make sure you purchase a license which features "untagged audio".
To license a beat without audio tag and to use in a professional manner please buy a license from this page. Usually those are $25 and up.
The Stem file also usually includes the original stereo master of the track for standard playback.
My name is Yehor. Music producer from Ukraine, Sumy
Experience in creating beats for 12 years.
I started my musical journey from school days, when I played and composed songs in a band.
These were primitive songs and very terrible recording quality. But as you know, at each stage of creating something new, you burn and enjoy the process.
Andso it was, we created, played at local concerts and had a blast like rock stars.
But it ended quite quickly.There was no one to play with. And I could not leave music. At first, I wrote songs with an acoustic guitar, then I rapped.
And in the end, DAW was introduced to me. It was FL Studio. I got excited like a child who picked up a toy for the first time, experimented with samples, various transitions and sound in general.
I performed for a couple of years. Back when I was a guitarist/vocalist in my rock bands. But those were typical local concerts (festivals). And yes, those were very cool times.
The musicians who influenced me (and still do) are mostly representatives of the heavy scene. I grew up listening to rock music. I'm very grateful to my father for that. Why? Because it helps a lot in creating beats now. I mean, the outlook of a rock musician is much broader and I think it's very cool when you build hip-hop beats based on the knowledge you gained as a rock musician. But I respect hip-hop producers (old school). You have to be able to sample without anyone knowing what track you took. Or you can make a base (sample) out of 10 tracks for your own single. It's very cool. So are electronic producers. What they do at their performances is very cool
So, my influences: Nirvana, Metallica, Deftones, Slipknot, Linkin Park, Architects, The Devil Wears Prada, Radiohead, Depeche Mode, Red Hot Chilli Peppers, Thirty Seconds To Mars, ???, Limp Bizkit
Native Instruments Komplete Audio 6, M-audio Oxygen49, Yamaha HS8, my lovely Fender Stratocaster, Beyerdynamic Custom Studio.
I want to thank those who read this, who listen to my music and buy it for themselves. Those who are inspired. I am sure that everyone will find something special here for themselves. My music is very different. Yes, mostly sad, but even sad music can be different. It's all from the heart. And this is the most important thing for me, especially nowadays, when every next track in the charts is similar to the previous one. Thank you! Have fun!
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