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Electronic & Trip Hop Music artist from Sacramento, CA. New songs free to stream or download. Add to your playlist now.

cover pic

goneroner

beats, hiphop, alt-hop

13 songs
1.1K plays
Picture for song 'momsaysbaddream' by artist 'goneroner'

momsaysbaddream momsaysbaddream

Alternative Hip Hop

Picture for song 'davedargy' by artist 'goneroner'

davedargy davedargy

dedicated. ha

Alternative Hip Hop

Picture for song 'thirtyminutenap' by artist 'goneroner'

thirtyminutenap thirtyminutenap

walk away asleep

Alternative Hip Hop

Picture for song 'refuge' by artist 'goneroner'

refuge refuge

go home

Alternative Hip Hop

Picture for song 'stillme' by artist 'goneroner'

stillme stillme

im stillme

Alternative Hip Hop

yello. music.
Band/artist history
im sitting in front of my bedroom window slouched phone in lap
Your musical influences
life and sad stuff. dark places. light waves
What equipment do you use?
computer
Anything else?
Dear Sirs: Your broadcasting of the television-movie DO YOU KNOW THE MUFFIN MAN? on October 22 displayed extremely shocking bias and disregard for the truth. To the extent that this film is interpreted by audiences to represent the general truth behind the epidemic of day-care "Satanic child abuse" witch-hunts which have convulsed this country for the last several years, you will be responsible for the encouragement of further injustices of the most traumatic kind on innocent people falsely accused of such horrors. You may shrug this off by citing the fine-print disclaimer at the end of the film that this was a "fictional" drama. Yet the references to real-life incidents ("the Presidio, El Paso, and West Point") in the film as though they were proven examples of the kind of crime depicted, coupled with the TV GUIDE and on-screen announcement that "according to government statistics some 39,000 children were sexually abused last year", made it clear that the film was to be understood as thinly-fictionalized "docu-drama". From McMartin onward, the epidemic of day-care "child abuse" scares has been characterized by spontaneous and violent attack upon chosen targets the moment they are selected. Presumably child sexual abuse is so heinous a crime, as witchcraft during the middle ages, that it is unthinkable for anyone to be accused of it unless he or she is indeed guilty. Everyone wants to go on record as denouncing such individuals vigorously, lest one become suspect oneself for not showing sufficient enthusiasm for the hunt. On the other hand, no individual or official wants to take responsibility for stating that the alleged abuse did not occur. Permit me to itemize the more conspicuous fallacies of Muffin Man: (1) YOUR TV GUIDE/ON-SCREEN ANNOUNCEMENT THAT "FEDERALLY SPONSORED RESEARCH ESTIMATES THAT APPROXIMATELY 39,000 CHILDREN UNDER THE AGE OF SIX ARE SEXUALLY ABUSED IN THE UNITED STATES EACH YEAR" IS MISLEADING, IMPLYING AS IT DOES THAT "DAY-CARE SATANIC" EVENTS SUCH AS THAT DEPICTED IN THE FILM ARE THE PROBLEM. What your announcement failed to state is that THE VAST MAJORITY OF SUCH CHILD SEXUAL ABUSE OCCURS IN THE HOME, NOT IN DAY-CARE CENTERS. According to David Finkelhor, Associate Director of the Family Violence Research Program, University of New Hampshire, the primary threat of sexual molestation comes from MEMBERS OF THE CHILD'S FAMILY, NOT FROM PORNOGRAPHERS OR PEDOPHILES WHO ARE STRANGERS. Projection of such crimes upon day-care personnel may be a device to cover up incest, or to destroy women's options for child-care outside the home, thus forcing them away from personal/professional lives of their own and back to the fundamentalist model of "a woman's place". In CHILD SEXUAL ABUSE: NEW THEORY & RESEARCH, Finkelhor writes: In many respects the moralists were mistaken about the problem, since they portrayed the greatest danger to children as coming from strangers and depraved individuals outside the family, not from within the family, where, as recently documented, the more serious threat is. (2) USE OF ROLAND SUMMIT AS THE SOLE CONSULTANT TO THE FILM. Dr. Roland Summit testifies so consistently for any accusation of "child abuse" that he has become nationally known as the "prosecution doctor". (Cf. Paul & Shirley Eberle, THE POLITICS OF CHILD ABUSE, Lyle Stuart 1986.) He now has a distinguished record of participating in several celebrated "child abuse industry" scandals in which scores of innocent people were randomly accused, put through nightmarish ordeals, and professionally ruined. Why did you not also consult some of the many distinguished physicians who expose and deplore the "child abuse industry", such as Dr. Lee Coleman, Director of the Center for the Study of Psychiatric Testimony in Berkeley, California? Were you afraid that you might discover "inconvenient" facts which invalidate the pre-determined theme of the film? (3) SCARRING IN RECTUM AS EVIDENCE OF CHILD-RAPE. This was presented in the film as "conclusive proof" that one of the children had been raped. In the case of at least one real-life witch-hunt - that at the Presidio of San Francisco - it was also used in the case of the child whose parents originally instigated the scare. Later on the physician who originally diagnosed the child's rectum as injured retracted that diagnosis on a television news documentary. By that time, of course, the witch-hunt was in full swing and no one paid attention to this inconvenient development. Dr. John McCann, Associate Clinical Professor of Pediatrics at the University of California, San Francisco, has produced a study that reveals far more normal variations in the vaginal and rectal areas of children than most physicians are aware of. He and his assistants examined the vaginal and rectal areas of some 250 prepubertal children with no history of sexual molest
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