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PS-400 Old Poets- Somebody Calling My Name
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License   $25
Album   $9
song to (my) variations on excerpts of a poem "Visiting Emily Dickenson" in the book "Zone Journals" by Charles Wright; three_track
lyricist instrumentalist soloist satirist humorist improvisationalist popite classic rocker poetryist electronicist progressivist acousticker pioneerionator contemporaryist electronic music mannheimie singer song writerer originalicist classicalister comedyiker vocalaloquist com posererie uniquer mult instrumentalist synthesizerismistytitian avant gardist game music mukiester neo classyciscicist pianerist cross genre dresser
I now create music so people can spend time with better company.
Cover Songs on Soundclick: https://www.soundclick.com/numiwhocreativecovers Writing: https://allpoetry.com/Mr._Numi_Who- Books: Numi Who? on Amazon (books) Art: http://wbiro.deviantart.com Early Art: http://www.flickr.com/photos/38154648@N00 Music Videos: http://www.youtube.com/user/wbiro Self-made Music Catalog (to 2016): http://numi-imagination-creations.me/01-art-catalog/wbiro_artistic_catalog_1967-2016_update_34.html Original Music on Soundcloud (more complete list there): https://soundcloud.com/wbiro Cover Songs on Soundcloud (more complete list there): https://soundcloud.com/user-288568536
Song Info
Peak in subgenre #29
Author
music: wbiro
Rights
wbiro
Uploaded
November 09, 2014
Track Files
MP3
MP3 5.2 MB 192 kbps 3:46
Story behind the song
song to poem I found in a New Yorker magazine circa 1987; searching back, I haven't found out who wrote it yet. Finally Found It: song to (my) variations on excerpts of a poem "Visiting Emily Dickenson" in the book "Zone Journals" by Charles Wright
Lyrics
We stood in the pavilion for a while, your lost soul, and I, and then we sat, and peered through the oak trees to the distant factories, and over to the river and the railroad, and the train station at the crown of the hill, and we sat there and sat there, a decade or so ago. One afternoon toward the end of winter, the oak tree floating it's arms like a dark cloud, and nothing came up my feet like electric fire, and no one appeared in a white dress and white flowers clutched in her tiny hands, no voice said anything about living and dying in 1862. But I liked it there, I liked the way the sunlight lay like a tablecloth over the windows. I liked the boxwood and evergreens and the flighty sherry-eyed figure I thought I saw there as the sky blossomed and a noiseless noise came from the orchard. And I sat very still and listened hard, and I thought I heard it once more; but there was nothing, nothing at all. The glossy figure of sunlight smoothed out on the floorboards, voices beginning to drift up from down there, there's somebody calling my name. Somebody calling my name... Somebody calling my name...
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