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Produced, Written and Performed by Joseph McNeil. PanaManic Music ASCAP ©2001
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The submissions for Project II were so great and so many, we just had to split them into two albums. This was originally planned to be released back-to-back with Project II, and they were soon dubbed "the twins". The first two albums coincidentally came out almost exactly 9 months after the submissions as well as coinciding with the birth of Kelly's own children. The funny thing is that both Beau Hall and Kelly had two new additions to their families within the same week and so the coincidence still remained with Project III. But ... After much discussion and debate, we decided to put some space between the two releases. Just like their own children, they both have such distinct personalities. JOseff s'Aint Joseph returns to bring us back to ’69, the summer of love seems very relevant right about now... "Get In" while the gettin's hot as Move GA*GA kicks it in high gear with a little booty shake. Watch out for that "Dander Damsel", however... Collar of Skin will explain that one while D. Marcos takes her to the "Electric Venus Moon". SMACK! Oh! Just kidding. You'll forget all about that diet when Lenae pours on the "Sugar" with a sound you don't hear very often. You can take what you want but you better give back what you don't need when Pilot Beacon reminds us about that nasty "Greed" in "This Life" as MVW elaborates. Drew (funkfusion) hits on a familiar project in "Madhouse 27 and a half". Those in the know will pick it up immediately. If you don't know, here's a clue... It's the same guy that said, "May you live to see The Dawn" as Papercrayons completed that mysterious phrase unto his own. Bump it up for Bumper (featuring Divinaty) with "My Groove". It’s guaranteed to put a stiffy in your zippy that only an "Angel's Reply" could ice down. Fight Truth Decay! 2004 showed us that we really need to seek a little more than what's fed to us. Jason Dodson asks... "Are You a Candidate 4 The Party"? We saw a lot of serious issues before us this previous year. "Is This a Dream?" or harsh reality? Your move, bub. Listen to the "Velvet Sounds" of our own online Woodstock, and ask the person next to you in a "Sweet Erotica" voice... "Can I Get Some Lovin'?" Shoo-be-doo. If you’re not bobbin' your head to this album in your car soon after you've downloaded it, something's wrong with you. Peace, -"The NFO Guy"
Song Info
Genre
Rock Rock General
Charts
#28,345 today Peak #823
#11,094 in subgenre Peak #130
Author
JOseff s'Aint Joseph
Rights
2001
Uploaded
January 23, 2005
Track Files
MP3
MP3 3.4 MB 128 kbps 0:00
Story behind the song
While making a living playing different instruments for local bands in Chicago, Singer\Songwriter Joseph McNeil received a phone call from a cousin in Minneapolis asking him to join Sony/Epic recording artist Alexander O’Neal’s touring band as a guitarist. Although never having been with an international act before, he quickly learned the rigors and joys of being involved in a professional production. While living in Minneapolis, Joseph also met and began working with one of Prince’s musical protégée’ Tony Le Mans. Joseph and Tony discovered they had similar musical influences as well as writing styles. This led to writing and production collaboration for a Minneapolis based band Joseph subsequently joined called “Pink Cabaret”. With encouragement and influence from Tony, Joseph returned to Chicago to write and record songs for his own project “JOseff s’Aint Joseph. While in Chicago, Joseph was summoned yet again back to Minneapolis to do three days of recording at Paisley Park studios with the band “Hot Sauce”. This band can be seen briefly in the movie Graffiti Bridge as George Clinton’s backing band. Though asked to appear in the movie, Joseph declined. Back in Chicago, good reviews from music publications and local approval prompted Joseph to put a band together and launch a short tour that was well received. Joseph’s songs, some of which speak of social and political issues, fuse Blues, Funk and, Rock together while also bridging the musical gap between Baby Boomers and today’s youth. When asked to describe his music, he calls it P.S.R. or, ”Psychedelic Soul Raw’. College Music Journal however describes it as being reminiscent of sixty’s rockers “Sly and the Family Stone”. Though Sly and the Family Stone of the sixty’s it may not be, it is JOseff s’Aint Joseph of today!
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