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The winding path
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The prequel to Kosmic. This meditative work consists of an ever-changing soundscape with interspersed acoustic elements.
trance progressive electronic acoustic new experimental breakbeat soundscape
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Intelligent Experimental electronica with breakbeat tendancies. Enjoyable sonic spaces can be found here reguardless of your genre of preference.
I enjoy electronic music because the only limits I have are the limits of my imagination. In each of my songs I try to risk something, I always try to push myself until I find my boundaries, and then I push through them. The result? Every song exists in a musical space of it's own, which I've enjoyed being able to revisit again and again as the years have passed. I love the infinite possibilities of music, and I've come to love the fact that I could never possibly know everything there is to know about it. I've decided to share a few of my pieces. You'll find works dating back to my earliest experiments with electronic instruments. I encourage you to listen actively.
Song Info
Genre
Electronic Ambient
Charts
Peak #393
Peak in subgenre #62
Author
Alexander
Rights
Alexander
Uploaded
February 16, 2006
Track Files
MP3
MP3 9.5 MB 128 kbps 10:20
Story behind the song
From the program notes: Much of the panning and filtering of the ambient texture was created with a machine I constructed in a software synthesis program called Reason. The majority of the sounds were generated with a program called Buzz. I decided to take a new approach to source material gathering: Through parameter randomization (e.g. oscillation rate, harmonic strength, amplitude envelope shape), I generated over 3GB of sounds. With this group of sounds, I experimented with the types spaces I could create through layering. Sounds varied from insect buzzing to low rumbling, high frequency zaps to slow sweeping chords. After making necessary adjustments to each file, I composed the final piece in Acid 4.0. The guitar and voice are improvised melodies I added after repeated listening to the soundscape.
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