Song picture
Song of the Elvers
Comment Share
License   $0.00
Free download
Eel-fishing themed murder ballad.
horror minimal spooky victorian newweird
Commercial uses of this track are NOT allowed.
Adaptations of this track are NOT allowed to be shared.
You must attribute the work in the manner specified by the artist.
Artist picture
The Sound of the Tin-Pot Baroque.
GO TO the "MP3 MUSIC" link Above FOR TRACK BY TRACK DOWNLOAD OF "THE BEST OF THE GOVERNESS (2000 - 2006)"... This is the sound of The Tin-Pot Baroque. Most songs are a variation on simple ballad form. They have a lo-fi, stripped down sound yet are also delicate and layered and the lyrics tend towards the ornate. Musically, every melody should ideally be lifted from an ancient sounding popular song - 'Greensleeves', 'Waltzing Matilda', that kind of thing. They bring a yellowing, 'museum of childhood' feel with them. Also, its kind of like The Residents once kind of said 'there are too many tunes out there, and we don't want to add to them...'. Pop music is always about repetition. The other big musical influence is the drone. Listen to Bert Jansch's 'Nottanum Town'. There is a sense that you could remove the guitar and vocals and there would still be something there - a slow-thighed thing breathing and turning in the darkness. That the drone's effect. The Governess attempts to capture that feel without the virtuosity. A lot of these songs use only one chord.
Song Info
Charts
#13,006 today Peak #198
#2,901 in subgenre Peak #33
Author
Thee Governess
Rights
Thee Governess
Uploaded
October 02, 2006
Track Files
MP3
MP3 4.0 MB 192 kbps 4:24
Story behind the song
As The Tin Drum so dramatically demonstrates, the best way to catch eels is to place a sheeps head in shallow water. The eels will dine, the dinner will be interrupted, a new dinner will be served, the previous diners will find themselves taking on an entirely new role. This song concerns an elderly individual hunting for elvers late at night. She (or he) is joined in this endeavour by a particularly attractive youth, who, at present, is asleep in the boat. Although the haul is a good one, the head of the ram has been utterly devoured and the river still throngs with potential meat. Now, what else could our protagonist possibly use for bait?.... The notion that God is in the Rushes refers as much to some terrible, crowned observer crouching, shadowy and red-eyed upon the rivers bank, or the divine ecstasies coursing through the racked frame of dope-fiend or lover, as it does the kind of protective influence that stayed the hand of Pharaohs daughter. Vocals by Rose Ellis, production and effects by James Townsend.
Lyrics
There is a beautiful boy In the bow of this boat And his hair would be soft As a kitten to stroke And his eyes are open And their shining bright Just a beautiful boy In the soft moonlight And God is in the Rushes God is in the Rushes God is in the Rushes God is in the Rushes There is a beautiful boy Asleep in this boat And his head it rests On a knot of old rope And the beat of his heart It sounds in the night Just a beautiful boy In the soft moonlight And God is in the Rushes God is in the Rushes God is in the Rushes God is in the Rushes So bring me the severed head of a ram Raised in my sight since it was a lamb Slaughtered on Sunday To feed my family Now bait for these wretches Observe how the flesh is Consumed in a moment Through mouth and eye socket Yet I still desire more eels for my bucket God is in the Rushes God is in the Rushes God is in the Rushes God is in the Rushes
Comments
Please sign up or log in to post a comment.