similar patching to transiency: transients are convolved with trainlets to form pulsar trains, then granulated into larger agregate structures. here, instead of simply trying to generate audio-level pitch material through speeding up the grains, changing the grain rates alone, the trainlets are convolved with synchronous sinewave grains according to an envelope (otherwise known as formlets). the bpm is 120, the fundamental is 16 hz, with a subharmonic generated by burst masking (a ratio specified by a burst period and a rest period in units of trainlets) ratio 3:4. meter is 28, divided as two groups of nine (divided as 4 + 5), and one of ten (5 + 5). I think it's catchy.