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i once carried...from time to time
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A kaleidoscopic range of approaches, including quiet modal folk-influenced fingerpicking, atonal noise, drones, pointilistic micro-melodies, and lower-case electro-acoustic improv.
ernesto diazinfante exper
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Experimental, improvised, noise, electronic, free-jazz, out-rock, 21st century compositions, sonic art, found sounds, gritty-clicky scratches, tense filmic pass
Ernesto Diaz-Infante, guitarist, multi-instrumentalist, composer and improviser is an active member of the vital San Francisco experimental music scene. Born in Salinas, California, Diaz-Infante's early musical life began with private piano lessons and in high school jazz, marching and concert bands, garage rock bands and Mexican conjunto/pop bands. In his teens, he became immersed in writing poetry, drawing, playing synthesizer and guitar, and lo-fi 4-track recording of songs. He received his formal musical education from the University of California Santa Barbara College of Creative Studies (1992-94) and California Institute of the Arts (1994-96), where he studied a variety of music, composition, electronic music, film music, Gamelan, modern dance, and performance art. Diaz-Infante has composed contemporary chamber music for solo, ensemble and orchestra. He has been awarded residencies at the Centre International de Recherche Musicale (CIRM), the Villa Arson (both in Nice, France), The Millay Colony for the Arts, Centrum, Villa Montalvo, The New York Mills Arts Retreat, The Ucross Foundation and Dorland Mountain Arts Colony. He has recorded more than 15 CDs of music, collaborated with numerous musicans, and he has had performances and radio broadcasts all over the world.
Song Info
Charts
Peak #1,349
Peak in subgenre #183
Author
Ernesto Diaz-Infante/Chris Forsyth
Rights
2004
Uploaded
October 17, 2003
Track Files
MP3
MP3 2.7 MB 128 kbps 0:00
Story behind the song
Maverick San Francisco composer/improviser Ernesto Diaz-Infante and Brooklyn's Chris Forsyth, known for his critically-acclaimed guitar work in such groups as psi and All Time Present, are frequent collaborators and key figures in the American underground scene. (as is stated...before known), their fourth studio recording in four years, continues and extends their joint investigation of the full range of the guitar. A kaleidoscopic range of approaches, including quiet modal folk-influenced fingerpicking, atonal noise, drones, pointilistic micro-melodies, lower-case electro-acoustic improv, and feedback are juxtaposed as Diaz-Infante and Forsyth subtly bridge the gap between composition and free improvisation, creating a thoroughly unified, wholly unclassifiable music in the process.
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