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Confessions of the Goliards
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This piece (1992), seven poems by the Medieval Goliards was a commission from the Goliard ensemble. It is here sung by Jim Blanton, tenor, the Goliard organizer, with Janet Axelrod, flute, Serena Canin, Violin, Kathe Jarka, cello
joseph pehrson
Artist picture
Not really a band, but a composer who writes contemporary classical works...
Purchase sheet music at: http://www.subitomusic.com/ (Main publisher -- ask for "Seesaw" Imprint) or http://www.sheetmusicplus.com/ Search "Joseph Pehrson" JOSEPH PEHRSON, composer, (b. Detroit, 1950) has written works for a wide variety of media including orchestra and chamber works. They have been performed at numerous venues including Merkin Hall, Weill Recital Hall, Symphony Space in New York and throughout the U.S., Eastern Europe and Russia. Since 1983, Pehrson has been co-director of the Composers Concordance in New York. He studied at the Eastman School of Music and the University of Michigan (DMA 1981). Pehrson's teachers included composers Leslie Bassett, Joseph Schwantner, and, informally, Otto Luening and Elie Siegmeister in New York. As of 2008, he has written more than 14 hours of music. Composing highlights: Belgian horn player Francis Orval requested ensemble pieces from 1987 to 1991 including Hornucopia, a piece for 10 horns, and a piece for solo horn in just intonation, Harmonic Etude, which was premiered at Merkin Hall. In 1992 and 1993, the Goliard Concerts, through recommendation of composer Eric Ewazen, performed several pieces in the Metropolitan New York area, in Warwick, NY and on a tour of southern states. They also requested a new piece, Pehrson’s humorous Confessions of the Goliards for tenor and chamber ensemble. Starting in 1992, flute player Gerardo Levy of New York University presented Pehrson’s Etheroscape for 8 flutes biannually with his students and requested a new ensemble piece Forest of Winds. He also asked for two new solo pieces. In 1998 Pehrson’s Exhilarations for clarinet, cello and piano was the winner of a competition by the Chicago Ensemble and was performed at the Three Arts Club in Chicago. Pianist Jeffrey Jacob took an interest in Three Pianopieces in 1998, performing the piece in Ohio and Germany and later recording it professionally. Again through Ewazen, the St. Luke’s Chamber Ensemble requested a new chamber work, Pehrson’s Trumpet in a New Surrounding which was performed at the Dia Arts Center in 1997. Pehrson had a May 1997 residency at the University of Cincinnati College-Conservatory of Music where his Fuoco for Brass Quintet was performed. Pehrson’s ensemble piece Wild, Wild West was requested and performed by Liviu Danceanu’s Archaeus Ensemble in Romania and Moldova in 1997, 1999 and 2004. Several works in unusual tunings have been featured on Johnny Reinhard’s American Festival of Microtonal Music continuously since the 1980’s. In 2001 and 2003 Pehrson traveled to Russia for a series of concerts arranged by composer Anton Rovner. In 2005, organist Carson Cooman premiered Pehrson’s Organum for solo organ and the work was performed in Russia at the Glinka Museum by Kirill Umansky as part of the Moscow Autumn Festival. In April, 2006, Peter Jarvis and April McCloskey of the “DoubleStop Percussion Duo” premiered Pehrson’s Inner Voices II for percussion and near-just-intonation electronics at William Paterson College, repeating it at Connecticut College in December, 2006. Pianist Juny Jung performed Three Pianopieces in Weill Recital Hall of Carnegie Hall, May, 2006. Flautando for flute and guitar was presented by the New York Composers Circle in June, 2006. Victoria and Robert Paterson’s American Modern Ensemble presented Levitations for viola and piano, October, 2006. In 2007 several works were presented in conjunction with the retirement of composer Dinu Ghezzo from NYU. There were also two woodwind quintets premiered: one in an unusual tuning by the American Festival of Microtonal Music and another more conventional work by the Composers Concordance. Pehrson visited St. Petersburg and Moscow, Russia, in March 2008 for a series of concerts. In St. Petersburg, he participated in a Festival "From the Avant Garde to the Present Day," with a new piece Quixoddities based upon Cervantes' Don Quixote for piccolo and bassoon, performed by Mikhail Pobedinsky with bassoonist Maxim Karpinsky at the "House of Composers" in St. Petersburg (March 19, 2008). Linda Past-Pehrson also danced to three electronic pieces in alternate tunings as part of this festival at the "Smolny Institute.” In Moscow, he had five pieces presented at the "Jurgenson Salon" on March 22, 2008: The day before, March 21, 2008, Linda Past-Pehrson danced to six electronic pieces in alternate tunings at the "Fireplace Hall" of the "Central Building for Workers of Art, (TsDRI).”Pehrson has works recorded on Capstone and New Ariel CDs and many pieces are published by Seesaw Music, Corp., now a division of Subito Music. More information at http://www.composersconcordance.org/
Song Info
Charts
Peak #146
Peak in subgenre #40
Author
Joseph Pehrson
Uploaded
January 06, 2008
Track Files
MP3
MP3 15.6 MB 128 kbps 17:01
Story behind the song
The text includes some of the poems used by Carl Orff in his Carmina Burana. However, I translate into English, which makes these salacious, bawdy poems even more questionable. Raoul Ronson of Seesaw Music helped a bit with this one -- he loved these Latin translation-type things. Score and parts available through Seesaw Music, c/o Subito Music Corp., 60 Depot St., Verona, NJ 07044, 973-857-3440. www.subitomusic.com.
Lyrics
INTRODUCTION We are the Goliards Medieval Students and Clerics We're a rather wayward lot, But now it's time to confess, So, we'd like to sing these songs for you I. TIME TO PLAY (Tempus Hoc Laetitiae) Time for pleasure, time today Holiday we make to play! Let the singing start away Sing our old songs again! Beating hearts combine with voices And our dancing blood rejoices Come, you scholars as you please Who best love festivities! Pen and copybook and ink, How funeareal we think, Ovid's works how dull with age Even any other page If it is prohibited It's a great temptation We are thinking only now Of our great vacation! II. SPRING DROUGHT(Nunc Viridant Segetes) Now green are the gardens And bloom is on every tree The vinyards now start to bud, The best of the year we see The air is soft With the songs of the singing birds Now land, now sea are smiling, A beauty beyond all words, But Ours is a bitter potion, The saddening truth we find, We're out of all our beer In Bacchus's gifts behind! I am a writer, a servant of the Muse I plow out so many works, This does not always amuse Yes, I'm your knight of learning Writing with my pen, Muse ask our good father bishop, When shall we drink again? III. IN THE TAVERN (In taberna quando sumus) When we're in the tavern drinking Of our work we're never thinking But we hasten to our betting Over which we're always sweating What goes on in many a tavern Where to reason never we yearn, Of these details now I speak I'll give you a little peek. Some will drink as they get big Others will live like a pig, Some will gamble until those Soon will lose all of their clothes Some new garments soon will find Others leave their clothes behind Death, these people have no fear; All they want is one more beer. First they drink to who will pay No-one wants to any day ONCE to those in captivity THRICE to those men living free FOURTH to Christians all around FIFTH to those now underground SIXTH to women they have bedded SEVENTH to warriors the've beheaded EIGHTH to monks bent on their knees NINTH to their perversities TENTH to those who navigate ELEVENTH to those who like debate TWELFTH to those who pray full well THIRTEENTH to those prefering hell Now to king and then to pope All drink through a haze of smoke DRINK the missus and the mister DRINK the soldier and the minister DRINK will all of any gender DRINK if they have legal tender DRINK the fast and so the slow DRINKING women's clothes will go DRINK the men who've lost their brains DRINK they fill their cups again! DRINK the poor and drink the sick DRINK the young, old with a stick, DRINK the exile and the idiot DRINK the father and the bishop DRINK the sister and the brother DRINK the elder and the mother DRINK the many cups untold A HUNDREDFOLD! A THOUSANDFOLD! IV. COME, SWEET FRIEND (Iam, Dulcis Amica) Please come in and visit me my sweet friend From my heart this wish to you I now send Enter now my little cubicle Ornamented for your dearest soul I have some chairs, each with a cushion And lovely veils serving as curtains Around the house are herbs and flowers Smelling so sweetly as in bowers And while we dine, will come so sweet Sounds from a pipe and drum with a beat Men also women perform for you now They're very skillful; they will take a bow He will now pluck the zither's string, She'll make the lyre begin to sing Servants will bring a glass of wine Colors lilke rainbows make it shine After the banquet our converse Will be a joy now unrehearsed: My greatest love, heart of my heart, From you I never shall depart! Don't be timid, please come in; I am looking forward to our sin! Come divest yourself of all your clothes, Some can wait, but I'm not one of those! V. SPRINGTIME RETURNS (Verna Redit Temperies) The springtime returns with sweet caress As flowers in ra
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