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april for no reason
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played on an electric guitar, live without any overdubs, but using a looping delay. A slow march rhythm with a solo of sustained electric guitar notes
michael peters escape vel
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computer music, ambient music with guitar, sound experiments
I'm a guitarist and electronic composer living in Kuerten, Germany - just a mile from Karlheinz Stockhausen's home, one of the epicenters of the world's musical avantgarde. Since the beginning of my musical life, I was never interested in conventional music. It was the new sound worlds that I was after. Starting out as a young guitarist many years ago, I was influenced not by the mainstream but by guitarists who made unusual music with their instruments. Later I took some Guitar Craft lessons with Robert Fripp (of King Crimson), played in Guitar Craft influenced groups, and did some experimenting with electronics and loop delays. I released a CD with electronic guitar loop improvisations called 'Escape Veloopity' in the late nineties on a small German label. Since then, I played guitar in several free improvisation bands and got more involved with computer music. In 2000, I did a musical online diary that featured a 10 second sound or song for each day. The MY2K project is still online - click the link on my homepage. In 2002, I released an ambient album called 'Stretched Landscape #1' on the British burn-on-demand label burningshed.com. "A continuous suite of processed piano and textures, German composer Michael Peters (primarily, a guitarist) has produced a beguiling work worthy of comparison with the best of Brian Eno's Ambient output. Evocative, emotional and chilled." Stretched Landscape contained treated field recordings and acoustic piano music, turned into something completely alien by a technique called Granular Synthesis. At the moment, I'm looking forward to the even more promising new sound worlds waiting in my new Kyma/Capybara system ...
Song Info
Genre
Rock Rock General
Charts
Peak #527
Peak in subgenre #43
Author
Michael Peters
Rights
Michael Peters
Uploaded
December 18, 2003
Track Files
MP3
MP3 4.0 MB 128 kbps 0:00
Story behind the song
As a solo guitarist, I've always made extensive use of loops. In the eighties, I used a setup consisting of 2 Revox tape recorders. In 1996, I finally replaced this tape loop system with a Paradis Loop Delay which is the predecessor of the more advanced Oberheim Echoplex, and offers many musical possibilities that simply didn't exist before. In the following months, I spent long evenings at home playing guitar duets with myself. In most cases I started from scratch, without any plans, and open for the unexpected. Working with a loop delay is a great way to explore new territory. It is easy to build up ambient clouds or noisy walls of sound, polyrhythmic patterns, or simple or complex themes which can be a basis for soloing. Some of these improvisations later turned into beginnings of compositions. ESCAPE VELOOPITY contains no compositions in the traditional sense. It is a logbook of explorations into ambient spaces, a collection of compositional sketches, and it contains some unexpected results of experiments. The music is fresh, rough, and unpolished, and there are almost no overdubs except for some environmental sounds here and there.
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